This is Song Cycle, where we gab with cool people who bring their innovative ideas and projects to life to contribute to a more vibrant society through song. Join the conversation!
This is So Lit Song Lit, where we reimagine the repertoire by introducing less familiar songs through sound clips and lively discussion! Together we’ll be exploring songs by composers that you may or may not have heard of already, showing how they compare to standard works, and giving you a taste of what they sound like. Join us down the rabbit hole as we expand the song canon!
Pianist and wacky song enthusiast Mandee Madrid-Sikich talks all things Lieder related (and not related!). Composers, poets, cultural contexts, piano settings, German romanticism - if it has to do with song, you better believe it's included in this podcast! Each episode covers a different song and is complete with special guest appearances and performances of the chosen songs.
You can find Mandee on Instagram @liedernerd and on You Tube as Mandee Madrid-Sikich.
Louise Reichardt (1779-1826) came from a musical family in Berlin, and grew up to be a composer and choral conductor, establishing a choral society in Hamburg, Germany. Her Italian songs have a bel canto feel to them, and her German Lieder tend more toward folk melodies. Her mother Juliane was also a composer; some of her songs are available on IMSLP and more can be sourced through inter-library loan.Much of the information this season comes from Karin Pendle's Women and Music: A History.Musical clips performed by Toni Marie Palmertree, soprano, and Ellen Rissinger, piano:Ombre amene a mi che piante (Sei canzoni di Metastasio)Non turbar quand io me lagno (Sei canzoni di Metastasio)Für die Laute (Louise Reichardt: Songs) Die Blume der Blumen (Louise Reichardt: Songs)There are also pieces by Louise Reichardt in 24 Italian Songs and Arias by Women Composers and Joys Abiding: Soprano and Baritone Duets by Historical Women Composers.Recorded at Morningstar Studios in Norristown, PA."Exactly" counter--Ellen 2 (11), Toni 0 (2)***So Lit Song Lit is a production of Cincinnati Song Initiative. You can learn more about its network of podcasts at cincinnatisonginitiative.org/podcasts.You can follow Ellen and The Diction Police on Facebook and at www.dictionpolice.com.You can follow Toni Marie on Facebook at Toni Marie Palmertree, soprano and Instagram @ToniMariePalmertree
Anna Amalia (1739-1807) was a German princess who became Duchess of Saxe-Weimar upon her marriage. Also a composer, her love of the arts made her court a cultural center and ushered in the era of Weimar Classicism.Corona Schröter (1751-1802) was a singer in the court of Anna Amalia, brought there by her close friend Johann Wolfgang von Goethe! Much of her compositional output has been lost, but two volumes of her songs were published.Much of the information this season comes from Karin Pendle's Women and Music: A History.Musical clips performed by Toni Marie Palmertree, soprano, Troy Cook, baritone, and Ellen Rissinger, piano:All of the scores for today can be found in these two volumes.Anna Amalia: Das VeilchenSie scheinen zu spielenSieh mich, Heil’ger, wie ich binSchubert:Erlkönig (intro)Schröter: ErlkönigO Mutter, guten Rat mir leiht (sung by Troy)Recorded at Morningstar Studios in Norristown, PA.Exactly counter--Ellen 2 (9), Toni 0 (2)***So Lit Song Lit is a production of Cincinnati Song Initiative. You can learn more about its network of podcasts at cincinnatisonginitiative.org/podcasts.You can follow Ellen and The Diction Police on Facebook and at www.dictionpolice.com.You can follow Toni Marie on Facebook at Toni Marie Palmertree, soprano and Instagram @ToniMariePalmertreeYou can find out more about Troy Cook on his website, https://www.troycookbaritone.com/
Please hold for tech... Is this thing on? Oh, there you are, Jamie Barton! One of the most iconic artists of our generation stops by the pod to chat all things song, share her incredible musical origin story from rural Georgia, and impart invaluable advice for finding one's true, authentic voice that puts you front and center in this crazy industry. (Hint: it involves healthy boundaries.)Happy opening to the cast of the 25th anniversary run of Jake Heggie's opera Dead Man Walking at San Francisco Opera! Oh, and we're now accepting applications for an on-site manager for Jamie's Cat Café.Stream one of Jamie's favorite songs, "You Have Become a Forest" from Four Poems of Nikita Gill by Melissa Dunphy on Apple Music or Spotify. ***Have a question you want answered by Laura and Sam on a future episode? Share your thoughts with a voice memo or written note through our new #TeamArtSong Mailbag!Nominate a phenomenal artist in your local community for a shoutout in our Songsters in Your Neighborhood segment!***Song Cycle is a production of Cincinnati Song Initiative. You can learn more about its network of podcasts at cincinnatisonginitiative.org/podcasts.
Elizabeth Jacquet de la Guerre (1665-1729) was a child prodigy from a huge family of musicians and instrument makers on both sides of her family tree. She composed three volumes of cantatas, several of which use Biblical women as their subjects - most of these cantatas are intended for a single singer along with continuo.Much of the information this season comes from Karin Pendle's Women and Music: A History.Musical clips performed by Toni Marie Palmertree, soprano, and Ellen Rissinger, piano:Judith AirRecitLe Passage de la mer rougeRécit-Mouvement MarquéRecorded at Morningstar Studios in Norristown, PA."Exactly" Counter - Ellen 3 (7), Toni 1 (2)***So Lit Song Lit is a production of Cincinnati Song Initiative. You can learn more about its network of podcasts at cincinnatisonginitiative.org/podcasts.You can follow Ellen and The Diction Police on Facebook and at www.dictionpolice.com.You can follow Toni Marie on Facebook at Toni Marie Palmertree, soprano and Instagram @ToniMariePalmertree
What happens when poetry born of unbearable grief meets a composer haunted by death? In this episode, we cover the first two songs of Mahler’s Kindertotenlieder, uncovering how Rückert’s words and Mahler’s music fuse into an unflinching meditation on loss, memory, grief, and love. With baritone Samuel Kidd and pianist Christina Lalog Seal.Follow the Lieder is a production of Cincinnati Song Initiative. You can learn more about their network of podcasts at cincinnatisonginitiative.org/podcasts.